Temple of the Fuzz Witch Apotheosis Review of Temple of the Fuzz Witch's Apotheosis

Review of Temple of the Fuzz Witch’s Apotheosis

Temple of the Fuzz Witch, a Detroit-based band, has recently released their third full-length album entitled “Apotheosis.” The band, known for their Sleep worship style, has embraced a new direction with this album while still maintaining their signature heavy sound. The album is a fusion of devastating riffage and blackened bleakness, setting the band apart from others in the stoner doom genre.

“Apotheosis” features tracks like “A Call to Prey,” “Nephilim,” and “Bow Down,” which showcase the band’s charisma and swagger with each movement. Vocalist Noah Bruner delivers a powerful performance with his blackened snarls and Kurt Cobain-esque drawling cleans, creating a unique blend of aggression and apathy in the tracks.

While the album excels in delivering mammoth riffs and captivating production, there are some weaknesses noted. The repetitive nature of some riffs and occasional falloff in riffage in certain tracks may detract from the overall listening experience. Despite these minor flaws, “Apotheosis” manages to keep the listener engaged with its blend of stoner doom and black metal elements.

Overall, Temple of the Fuzz Witch’s “Apotheosis” is a solid addition to the band’s discography, showcasing their growth and experimentation while staying true to their roots. Fans of stoner doom and blackened metal will find plenty to enjoy in this album. The band’s future looks promising, with potential for even greater success as they continue to refine their craft.

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